{"id":1416,"date":"2024-09-07T06:40:14","date_gmt":"2024-09-07T06:40:14","guid":{"rendered":"https:\/\/grandbassamproject.net\/ateliers\/?p=1416"},"modified":"2024-09-07T06:40:38","modified_gmt":"2024-09-07T06:40:38","slug":"mama-keita-2","status":"publish","type":"post","link":"https:\/\/grandbassamproject.net\/ateliers\/en\/mama-keita-2\/","title":{"rendered":"MAMA KE\u00cfTA"},"content":{"rendered":"<p>Mama Ke\u00efta was born 1956 in Senegal as the son of a Vietnamese mother and a Guinean father. After studying law in Paris, he starts writing screen plays. Between 1981 and 1997 Keita directs five short films.<br \/>\nThe documentary \u201cDavid Achkar, une \u00e9toile filante\u201d (1998) is a personal obituary for a deceased friend. His first feature \u201cLe fleuve\u201d (2002) receives the Press Award at the Paris Film Festival. In 2003 he directs \u201cLe Sourire du Serpent\u201d and in 2009, besides \u201cL\u2019Absence\u201d he makes the short film \u201cOne more vote for Obama\u201d as part of the Pan African short film project.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mentor<\/p>\n","protected":false},"author":1,"featured_media":445,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[36],"tags":[],"class_list":["post-1416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mentors-trainers"],"acf":[],"_links":{"self":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/comments?post=1416"}],"version-history":[{"count":1,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1416\/revisions"}],"predecessor-version":[{"id":1417,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1416\/revisions\/1417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/media\/445"}],"wp:attachment":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/media?parent=1416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/categories?post=1416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/tags?post=1416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}