{"id":1404,"date":"2024-09-07T06:36:16","date_gmt":"2024-09-07T06:36:16","guid":{"rendered":"https:\/\/grandbassamproject.net\/ateliers\/?p=1404"},"modified":"2024-09-07T06:37:11","modified_gmt":"2024-09-07T06:37:11","slug":"moussa-sene-absa-2","status":"publish","type":"post","link":"https:\/\/grandbassamproject.net\/ateliers\/en\/moussa-sene-absa-2\/","title":{"rendered":"MOUSSA SENE ABSA"},"content":{"rendered":"<p>Moussa S\u00e8ne Absa began his career in cinema by writing the screenplay for \u201cThe children of God\u201d, then the short film \u201cLe prix du mensonge\u201d, that won a prize in Carthage in 1988. In 1991, he made a feature film in 16mm \u201cKen Bugul\u201d and several short films, including \u201cJaaraama\u201d. The following year, he directed the feature film \u201c\u00c7a Twiste \u00e0 Poponguine\u201d, that won sev-eral inter- national awards. In 1994, he signed a short film \u201cYalla Yaana\u201d and, in 1996, \u201cTableau Ferraille\u201d, a feature film in 35mm that won several awards, including the best picture at FESPACO 1997. In 2002, he directed \u201cMadame Brouette\u201d, who brought the Silver Bear to the Berlinale. His two last features, \u201cTeranga Blues\u201d was presented in competition of FESPACO in 2007, and \u201cYoole\u201d in 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mentor<\/p>\n","protected":false},"author":1,"featured_media":492,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[36],"tags":[],"class_list":["post-1404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mentors-trainers"],"acf":[],"_links":{"self":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/comments?post=1404"}],"version-history":[{"count":1,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1404\/revisions"}],"predecessor-version":[{"id":1405,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/posts\/1404\/revisions\/1405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/media\/492"}],"wp:attachment":[{"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/media?parent=1404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/categories?post=1404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grandbassamproject.net\/ateliers\/wp-json\/wp\/v2\/tags?post=1404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}